Truly, what a world.)īut despite her panting, panty-less happiness, Laura has a secret: She survived the attack at the end of “365 Days,” but her unborn child, about which Massimo still doesn’t know, didn’t. (Of note, Olga, played by returning co-star Magdalena Lamparska, has her own issues to work through and it’s one of the more unintentionally hilarious bits of the film that she’s hellbent on lecturing her perv-y pals about good taste when she’s sporting a bare midriff to a formal wedding. But not before a healthy pre-wedding boinkfest that opens with her telling her soon-to-be hubby, “I don’t have panties” and only sort of ends when her shocked BFF Olga arrives on the scene. “365 Days” didn’t give a damn about narrative conventions, and so it is with “ 365 Days: This Day,” which opens on a very-much-alive Laura, gussied up in a sexy wedding dress and the worst dye job you’ve ever seen, primed to walk down the aisle with Massimo. ![]() ![]() And then, the shock ending: Laura is (maybe?) killed by Massimo’s enemies, and the film concludes with her life hanging in the balance. The two fall in love, engage in vigorous sex in a variety of locations, and decide to spend the rest of their lives together, good taste or common sense be damned. Say what you will about that plot - that it’s gross, violent, rape-y, misogynistic, all that and more! - but in the world of “365 Days,” it worked out just as Massimo planned. Massimo’s desire for Laura, initially kicked off after he spotted her on a beach before his father was murdered before his eyes (that old story), culminates in the mob don eventually tracking her down, kidnapping her, and vowing to imprison her for 365 days until she falls in love with him. Sexy, right?īialowas and Mandes’ first film stuck faithfully to the material provided by author (and co-screenwriter) Blanka Lipinska: a bored Polish hotel worker (Anna Maria Sieklucka as Laura) becomes the object of obsession for a sexy, if seriously fucked up, mafioso named Massimo (Michele Morrone). Two years later, the popular - but controversial - film series chugs onward with its first sequel, a nearly two-hour affair that doesn’t just push the boundaries of tasteful entertainment, but simply steamrolls right over them in service to an even more problematic outing that’s alternately hilarious and boring. When it landed on Netflix in the summer of 2020, Barbara Bialowas and Tomasz Mandes’ smash hit “365 Days” offered the streamer something special: its very own spin on “Fifty Shades of Grey,” complete with paper-thin plots, supposedly kinky sex, and a popular book series that included two more books ripe for the film treatment.
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